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(JazzPlanet) Chris Potter - Vertigo (Eac S Flac Cue) (UF)

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Description

Chris Potter - Vertigo















Artist Chris Potter

Title  Vertigo

Audio CD (August 4, 1998)

Original Release Date: August 4, 1998

Number of Discs: 1

Label: Concord Records

Genre Jazz

Style: Modern Jazz Contemporary/Jazz Straightahead/Mainstream

Number of Discs 1 

Source: Original CD 

Size Torrent: 373 Mb

Cover Included





Extractor: EAC 0.99 prebeta 4 

Read mode               : Secure

Utilize accurate stream : Yes

Defeat audio cache      : Yes

Make use of C2 pointers : No

Codec: Flac 1.2.1;  Level 8  

Single File.flac, Eac.log, 

File.cue Multiple wav file with Gaps (Noncompliant)

Cannot be verified as accurate (confidence 5)

You may have a different pressing from the one(s) in the database





Track listing: 



Shiva; 

Vertigo; 

Long Walk,Short Pier; 

Act III, Scene I; 

Fishy; 

This Will Be; 

Almost Home; 

Modeen's Mood; 

Wake Up. 





Personnel: 



Chris Potter (bass clarinet, soprano saxophone, tenor saxophone, piano); 

Kurt Rosenwinkel (guitar); 

Joe Lovano (tenor saxophone); 

Scott Colley (bass)

Billy Drummond (drums).

 









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http://www.amazon.com/gp/recsradio/radio/B000009OKZ/ref=pd_krex_dp_a









video/audio



http://www.youtube.com/watch?v=G45xXQF3XoA&feature=PlayList&p=529923438C8CF3A7&playnext=1&playnext_from=PL&index=22



http://www.youtube.com/watch?v=biY9YHZ-aK4



http://www.youtube.com/watch?v=iZPf4kjgcDA&feature=related



http://www.youtube.com/watch?v=-XnV0mdCCsI&feature=related





Biography



Chris Potter (born January 1, 1971) is an American jazz saxophonist, composer, and multi-instrumentalist.



Born in Chicago, Illinois, Potter spent most of his childhood in Columbia, South Carolina where his mother taught
psychology at the University of South Carolina. He exhibited an early interest in all kinds of music and quickly became
a prodigy, mastering several instruments including guitar and piano, and finally gravitating toward the alto and tenor
saxophone.



Potter played his first professional jazz gig at age 13 and quickly developed a devoted local following. He attended
college in New York City, first at the New School, and later at Manhattan School of Music.



Potter has released a number of albums as leader and has performed and recorded with many leading musicians including
Patricia Barber, Kenny Werner, Red Rodney, Marian McPartland, the Mingus Big Band, Paul Motian, Ray Brown, Jim Hall,
James Moody, Dave Douglas, Joe Lovano, Wayne Krantz, Mike Mainieri, Steve Swallow, Steely Dan, Dave Holland, Joanne
Brackeen, Adam Rogers and many more.



His 1998 CD Vertigo was named one of the year's top ten jazz CDs by both Jazziz magazine and The New York Times. He was
nominated for a Grammy Award for Best Jazz Instrumental Solo for his work on the Joanne Brackeen recording Pink Elephant
Magic. His 2004 CD Lift: Live At The Village Vanguard was named one of the year's ten best new jazz recordings by Fred
Kaplan of Slate. His 2006 release, Underground, on which he records with an electric, more "groove"-based ensemble
featuring Craig Taborn on keyboard; Wayne Krantz on guitar; Nate Smith on drums and Adam Rogers, guitar on tracks 6 and
9), was followed closely by the 2007 release "Follow the Red Line: Live at the Village Vanguard", featuring Adam Rogers
on all six of its tracks. Another Underground group recording was released in 2009, Ultrahang.



Chris lends his talents on 5 songs on the Patricia Barber release "The Cole Porter Mix."



Chris Potter currently lives in New York City with his wife and new baby and performs all over the world with his band
Underground.





review



In the tradition of Coltrane, Rollins, Shorter and McLean, Chris Potter is a clearly identifiable voice on an instrument
that is as commonplace in jazz as the piano. This saxophonist's powerful energy is in high gear on VERTIGO, an album of
unbridled enthusiasm as well as maturity and assuredness. His choice of sidemen for this project--Kurt Rosenwinkel
(guitar), Scott Colley (bass) and Billy Drummond (drums)--is evidence enough that Potter's vision as a leader is first
rate. He is also joined by woodwind colleague Joe Lovano on three tracks, for a display of modern saxophone artistry.



As a composer, Potter is extremely imaginative. His penchant for angular melodies and shifting foundations of rhythm is
exhibited in the opening "Shiva" and the mysterious title track. Potter and his men display impeccable prowess and free
creativity on such rousing undertakings as "Long Walk, Short Pier" and the bop-ish "This Will Be," both with Lovano. As
a change of pace, "Almost Home" lends a peaceful bossa/ballad feel to the set. Finally, after Lovano returns for the
very expressive "Modeen's Mood," Potter leaves us with a rare turn on soprano for the delightful "Wake Up."





______________________________________________________________________________________________________________________





Shortly before the recording of Vertigo, Chris Potter suffered partial hearing loss after undergoing treatments for
Ménière’s disease, an inner ear condition. Vertigo was in fact one of the symptoms he had been
experiencing. Despite (or perhaps because of) the somewhat frightening circumstance that led to its title, Vertigo is
Potter's most mature and expressive work to date. "Almost Home" and "Wake Up" are two of his prettiest, most memorable
melodies. "Fishy" and the title track feature bass clarinet overdubs that double Scott Colley's basslines, to great
effect. "Shiva" opens the record with an angular melodic line, stated in unison with utmost precision by Potter and
guitarist Kurt Rosenwinkel, whose warm yet crisp tone is a delight. Drummer Billy Drummond trades 12-bar solo statements
with Colley on "Long Walk, Short Pier," the first of three tracks to feature guest tenor man Joe Lovano. ("This Will
Be," based on the standard "My Shining Hour," and "Modeen's Mood," a free-form tribute to drummer Paul Motian, are the
other two.) "Act III, Scene I" is a rubato meditation on the most famous Shakespeare soliloquy of them all ("To be or
not to be"). Even more than Unspoken, Potter's superstar session with John Scofield, Dave Holland, and Jack DeJohnette,
Vertigo reveals Potter as a player and composer with an uncommonly personal vision. 

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