De Vere - Shakespeare - The Tempest - Argo


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De Vere - Shakespeare - The Tempest - Argo
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Shakespeare - The Tempest - Argo
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Description



Audio Books : Literary : Other quality : English
“…for truth is truth though never so old, and time cannot make that false which was once true.”, Edward de Vere, 17th Earl of Oxford (1603)

Greetings,

It was not my wish when publishing this to kindle controversy as to the authorship of the canon commonly ascribed to Shakespeare. But my desire to see light dispelling the darkness that has covered this most puzzling and intriguing issue has prevailed over my better judgement and discretion. Indeed, the authorship question, may prove to have on the literary world the same effect as Kant’s Transcendental Aesthetics had on Philosophy, and is likely, once proven beyond reasonable doubt - if that is indeed possible for a species that in general seems to have more earwax than brain - to shatter and humble the entire scholarly world, thereby proving that to live off something is very different from living for something. But bestowing on “Ponte di Bue” scholarship the unusual laurel leaves that Apollo granted Midas is of little importance, when we consider the importance of the genealogy, the mental development, and indeed, who was the man of unsurpassed Genius that wrote that which is the greatest work of literature of all Time.

Proof is incumbent on anyone who makes a positive assertion. I know this quite well but it was not my wish to be weary or tedious when I started writing this, almost against my Will, so I will skip all arguments and direct everyone to the extensive information available on the matter on the internet, as quite good books have been written on the subject, and all that “circumstantial evidence”, “to half a soul and to a notion crazed” would proclaim the real author.

On a personal note, I initially suspected the authorship about the time one usually knows the plays by heart, but gave no more thought to the matter as I was not aware of the authorship debate, being more interested in Silence, Study and Solitude. A couple of years ago after reading the phrase with which I started writing, and promptly identifying it as Shakespeare, I found to my great surprise that this was not Shakespeare, but someone else. And then I became aware of the authorship debate.

Thesis:
De Vere and Shakespeare: what should be in that "Shakespeare"?
Why should that name be sounded more than yours?
Write them together, yours is as fair a name;
Sound them, it doth become the mouth as well;
Weigh them, it is as heavy; conjure with 'em,
“De Vere" will start a spirit as soon as "Shakespeare."
Now, in the names of all the gods at once,
Upon what meat doth this our Shakespeare feed
That he is grown so great? Age, thou art shamed!
Julius Caesar

Antithesis:
What's Shakespeare? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? That which we call a rose
By any other name would smell as sweet.
So William would, were he not William call'd,
Retain that dear perfection which he owes
Without that title.
Romeo and Juliet

Synthesis:
Who will believe my verse in time to come
If it were filled with your most high deserts?
Though yet heaven knows it is but as a tomb
Which hides your life, and shows not half your parts:
If I could write the beauty of your eyes,
And in fresh numbers number all your graces,
The age to come would say this poet lies,
Such heavenly touches ne'er touched earthly faces.
So should my papers (yellowed with their age)
Be scorned, like old men of less truth than tongue,
And your true rights be termed a poet's rage,
And stretched metre of an antique song.
But were some child of yours alive that time,
You should live twice in it, and in my rhyme.
Sonnet 17


Perhaps, the authorship debate is more a matter of ego than anything else. Perhaps the child that has grown accustomed to call objects by a name, will as an adult be unwilling to call them by another, though it has been proven that the former was wrong and the latter correct. Also, the implications should De Vere assume its rightful place in History are serious, for whosoever solves the “riddle” can say of the last 400 years, like Homer - “ Don’t lie, Atrides! You know the truth - say it! We claim we are far, far greater than our fathers. We are the ones who stormed the seven gates of Thebes, heading a weaker force and facing stronger walls but obeying the gods’ signs and backed by Zeus. Our fathers? Fools. Their own bravado killed them. Don’t tell me you rank our fathers with ourselves!”, Iliad.

I will say to those that so far held the common view:
“It is great sin to swear unto a sin;
But greater sin to keep a sinful oath.”
Henry VI, Part 2

Quite confident that Truth will prevailing the end, Vitam Impendere Vero, “Foul deeds will rise, etc.”,
“Or as the heresies that men do leave
Are hated most of those they did deceive,
So thou, my surfeit and my heresy,
Of all be hated, but the most of me!”
A Midsummer Night's Dream

I honestly don’t think we can expect much of the scholarly world in this matter, for whatever could be done has been done, especially in Europe. Be it through art or hap maybe someone will one day stumble on conclusive evidence. And it is my fond wish to see one day the thick volume being printed with the “vero” (truthful) De Vere name on the cover.

The First Folio seems to be the perfect locus in quo. The recent printed versions, with a few exceptions, leave much to be desired. Also, why is it that the more one reads Hamlet, the more one feels that there is more to it, that something is hidden under a veil and the author “speaks things in doubt, that carry but half sense”? And as for the Sonnets, that intellectual minefield, that puzzle, that jigsaw, that complex work, although I confess I am not partial to the art form, why is it that the more we read them the more they appear as a code, a complex play of words and numbers, which have a double meaning that makes them impossible to understand without a key?

In the words of the Philosopher “All truth passes through three stages. First, it is ridiculed. Second, it is violently opposed. Third, it is accepted as being self-evident.”

If I offended by naming this torrent with an unusual name I must say that “there was no thought of pleasing you when she was christen’d.” Still I am confident that it will find favor with many for to quote one of my favorite plays:

It is not truer he is “De Vere”
Than this is all as true as it is strange;
Nay, it is ten times true; for truth is truth
To th' end of reck’ning.
Measure For Measure


PS - I apologize for the style, I did not want to spend too much time writing this, and it will stay as it was written. I value my leisure and as I said do not wish to take part in any controversy, and as it is next to impossible to have a serious discussion on this matter via internet, if you agree, well, if you disagree, well - “You that way: we this way.”
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