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Dominique Bassal - 2009 - Ubiquite (FLAC, Empreintes Digitales 09101)

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Empreintes DIGITALes IMED 09101.

1	Rites D'Oiseaux Pensants	14:40
2	Noyade En
Magma	10:00
3	L'Inenarrable Nout	18:53
4	Mont Des Borgnes	12:51

Composer and sound engineer
Dominique Bassal studied electroacoustic music at a time where that discipline was at the cutting edge of audio
technology. He started working in commercial music production as an arranger, producer, and studio manager, where he
applied avant-garde techniques to the world of pop music, narrow and conservative at the time. However, starting in the
mid-’80s, positions shifted, the music industry taking the lead in assimilating technological progress. When
Bassal came back to electroacoustic in 2001, he found himself able to share the knowledge and know-how of the industry
with a discipline enfeebled by years of inadequate financing and academic isolation.
Since then, Bassal has gained
recognition within the global electroacoustic community for his passionate commitment to increase the professional
aspect of electroacoustic music production. He is the author of the unique and innovative document The Practice of
Mastering in Electroacoustics (December 2002) and its online extension Mastering in Electroacoustics: State of Affairs
(eContact 9.3, April 2007; English version: November 2007). Bassal has been empreintes DIGITALes’ mastering
engineer since 2004; he has mastered a significant number of the label’s CD-Audio’s and
DVD-Audio’s. He has also presented his research work in seminars all across Canada and the UK.
Winner of the
2002 edition of Jeu de temps / Times Play, Bassal has been a jury for this competition since 2003. His works have been
performed in various settings, such as the ÉuCuE concert series (Concordia University, Montréal), the 3rd
Festival Musica Acusmatica (Cagliari, Sardinia), and more recently in Manchester, Keele, Birmingham, and Bangor.
Bassal’s music is the result of two separate artistic processes, one qualitative and the other proceeding from
aesthetics.
The qualitative aspect of his work submits the generation and organization of sound materials to
production standards inherited from his background in audio production and mastering. A part of these standards are
production-oriented and aimed at achieving a general feeling of auditive comfort: rich spectral content, integrity of
transients, balanced spatialization, and, most importantly, transparent layers without compromising on density. The
other part of these standards are reception-oriented and revolve around the concept of narrative dynamism: visually
evocative vocabulary freed from the conceptual diktat, conscious use of the spectacular and the fascinating, maintaining
interest, balancing comfortable narrative episodes and elements of surprise…
The esthetic aspect of
Bassal’s artistic process is based on polyphonic ambiences — arrangement of intense spaces that can be
cold and relentless, tense and disquieting, or strange and luxuriant. And no compromise whatsoever content-wise: no
message of serenity or resignation, no praise for any tangible or “spiritual” power, no toning down the
description of a world where cynicism and cruelty seem rampant on a cosmic scale. -
electrocd.com   Show Demonoid some love with  BitCoin: 1DNoid2VRyfYn9T38Z1SZ5XncG7WMgCeUL How to get BitCoin?   

           

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