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Fauré, Duruflé - Requiems (in paradisum) - Terfel, Bartoli, Myung-Whun Chung (flac)

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Fauré, Duruflé - Requiems (in paradisum) - Terfel, Bartoli, Myung-Whun Chung

Vocal | Eac, flac, cue | log, cover | 1 CD, 238 MB

May 11, 1999 | DG | RapidShare









Once described as a "lullaby of death," Gabriel Fauré's Requiem is a work of supreme composure that
seems to illustrate the gentlest of goings into that good night. This recording bucks the current trend favoring the
composer's original version for reduced chamber orchestra, offering the fully orchestrated edition from 1899. The result
gives a solid, spacious context for Fauré's modal lyricism, his interplay of light and shadow, to unfold.
Conductor Myun-Whung Chung at times even suggests a dark undertow of despair, as in the funereal plunge and tread of the
Introit, yet he is also keenly sensitive to the agnostic composer's essentially sensuous textures (listen to the dark
amber interweaving of inner string lines in the Offertorium), thereby escaping the potential sentimentality that
sometimes pits Fauré's vision unfavorably against the robust fire and fury of Verdi's Requiem. In this regard,
Chung's choice of soloists is ideal. Cecilia Bartoli's rendition of the Pie Jesu will stop you in your tracks (simply
one of the most achingly beautiful examples of her artistry), while Bryn Terfel uses the rich resonance of his baritone
to powerful effect. Maurice Duruflé's Fauré-inspired Requiem, offered as the coupling, is likewise given
in its fully orchestrated version. The patient serenity of its culminating In Paradisum seems to offer a harmony of the
spheres for our age of anxiety. --Thomas May







While not everyone will give this magnificent recording the chance it deserves because it may seem irreverent to praise
full-bodied performances of two delicate French masterpieces, those who truly love both the Fauré and
Duruflé Requiems will find much to love here. Myung-Whun Chung has opted to record the full orchestra/full mixed
chorus versions of these two works usually heard in the pared-down versions for church settings, and in doing so he
unveils even more mysteries than one would think possible. Chung knows the French repertoire well, having been
associated with French Opera in France for many seasons. And here he draws upon the Chorus and Orchestra of the
Accademia Nazionale di Santa Cecilia as well as the full-bodied, intelligent and sensitive voices of singers Bryn Terfel
and Cecilia Bartoli as his soloists.



The result: dreamily romantic reading of these beautiful scores. Though Bartoli is a mezzo-soprano in name, her range is
so vast that she offers the most genuinely spiritual 'Pie Jesu' in the Fauré in this listener's history. The same
can be said for Terfel's involved singing. Often these solos are given to minor singers and it is a thrill to hear them
from the gifted voices of two of today's finest recitalists. Chung draws gorgeous sounds from his gathered ensemble and
produces the warmest, romantic performances these two Requiems are likely to enjoy.



Different interpretations, yes, but still very much in the core of both composers' concepts. Highly recommended.--Grady
Harp





CD Content



Requiem, for 2 solo voices, chorus, organ & orchestra, Op. 48

Composed by Gabriel Faure

Performed by Roma Orchestra dell'Accademia Nazionale di Santa Cecilia

with Cecilia Bartoli, Enrico Balboni, Daniele Rossi, Luigi Piovano, Bryn Terfel

Conducted by Myung-Whun Chung



Requiem, for orchestra, organ & chorus; for organ & chorus; for small ensemble, organ & chorus, Op. 9 (3
versions)

Composed by Maurice Durufle

Performed by Roma Orchestra dell'Accademia Nazionale di Santa Cecilia

with Cecilia Bartoli, Enrico Balboni, Daniele Rossi, Luigi Piovano, Bryn Terfel

Conducted by Myung-Whun Chung 

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