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Image Ethics - The Moral Rights of Subjects in Photographs, Film, and Television pdf

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Description

 							
  
  This pathbreaking collection of
thirteen original essays examines the moral rights of the subjects of documentary film, photography, and television.
Image makers--photographers and filmmakers--are coming under increasing criticism for presenting images of people that
are considered intrusive and embarrassing to the subject. Portraying subjects in a "false light," appropriating their
images, and failing to secure "informed consent" are all practices that intensify the debate between advocates of the
right to privacy and the public's right to know. Discussing these questions from a variety of perspectives, the authors
here explore such issues as informed consent, the "right" of individuals and minority groups to be represented fairly
and accurately, the right of individuals to profit from their own image, and the peculiar moral obligations of
minorities who image themselves and the producers of autobiographical documentaries. The book includes a series of
provocative case studies on: the documentaries of Frederick Wiseman, particularly Titicut Follies; British documentaries
of the 1930s; the libel suit of General Westmoreland against CBS News; the film Witness and its portrayal of the Amish;
the film The Gods Must be Crazy and its portrayal of the San people of southern Africa; and the treatment of Arabs and
gays on television. The first book to explore the moral issues peculiar to the production of visual images, Image Ethics
will interest a wide range of general readers and students and specialists in film and television production,
photography, communications, media, and the social sciences.
  
  Series: Communication and Society
 
Paperback: 400 pages
  Publisher: Oxford University Press; Reprint edition (February 28, 1991)
  Language:
English
  ISBN-10: 0195067800
  ISBN-13: 978-0195067804
  
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