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Jimmy Witherspon Blue Spoon Spoon in London(blues)(flac)(rogercc)(h33t)

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JIMMY WITHERSPOON BLUE SPOON/SPOON IN LONDON

Prestige/Fantasy OBCD 591 2

This CD is a combination of 2 Prestige releases (Blue Spoon Prestige 7327[1964] & Spoon in London Prestige
7418[1965]

Format :Flac



BLUE SPOON  was one of Witherspoon's jazzier sessions, still retaining his characteristic jazz-blues blend, but lighter
on the soul, pop, and shouting R&B elements of some of his other releases. The jazzy flavor was guaranteed by his
backup quartet of Kenny Burrell on guitar, Eddie Kahn on bass, Gildo Mahones on piano, and Roy Haynes on drums.
Dominated by ballads, it's on the mellow side, with a pleasant yet unadventurous selection of covers. These include
Cecil Gant's "I Wonder," "Nobody Knows You When You're Down and Out","It's All in the
Game," and "Baby Please Don't Go" (here retitled "Back to New Orleans," with the writing
credits given to Brownie McGhee and Sonny Terry). Kenny Burrell contributed one composition, "Blues in the
Morning." 





Personnel:

Jimmy Witherspoon, vocal Gildo Mahones, piano Kenny Burrell, guitar

Eddie Kahn, bass Roy Haynes, drums 

Recorded at: Rudy Van Gelder Studio, Englewood Cliffs, NJ, February 20, 1964 



SPOON IN LONDON  is an uncharacteristic entry in the Witherspoon catalog. Recorded in London in June 1965, there's a
definite soul-pop slant to the production, with backup women singers that wouldn't have been out of place at a Ray
Charles session; brassy, bright arrangements; and lean blues-rock guitar backup that leads one to suspect that an ace
U.K. session man like Jimmy Page or Big Jim Sullivan might have been responsible (the personnel, unfortunately, is not
documented). The orchestra was arranged and conducted by Benny Golson, and there's a definite sense of trying to cross
Witherspoon's habitual classy soul-jazz over into the soul and rock markets. Purists, of course, will probably be
offended, but, in fact, this deviation from the usual format makes this one of Witherspoon's more interesting and, yes,
fun releases. He's more than up to the task of broaching this territory, sounding rather like a cross between Ray
Charles and Brook Benton at times (yet closer to Benton). Tracks like "Free Spirits" swing in a more
traditionally jazz manner; "Room for Everybody" has a sing-along country-folk feel; and "Two Hearts Are
Better Than One" is decorated by odd Dixieland touches. 



Personnel:

Jimmy Witherspoon (vo) The Lady Birds (chorus) Benny Golson (arr) unidentified orchestra 

Recorded London, England, June, 1965 

	

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