Miles Davis - The Complete Bitches Brew Sessions 4CD Box (2004) FLAC


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Torrent File Content (131 files)


Miles Davis - The Complete Bitches Brew Sessions 4CD Box (2004) FLAC
    Bitches Brew Sessions - Disc 1
          02 - Bitches Brew.flac -
180.39 MB

    Bitches Brew Sessions - Disc 3
          06 - Guinnevere.flac -
134.22 MB

          05 - Lonely Fire.flac -
133.73 MB

    Bitches Brew Sessions - Disc 1
          01 - Pharaoh's Dance.flac -
128.72 MB

          03 - Spanish Key.flac -
126.57 MB

    Bitches Brew Sessions - Disc 4
          03 - Recollections.flac -
103.66 MB

    Bitches Brew Sessions - Disc 2
          03 - Great Expectations.flac -
98.31 MB

          01 - Miles Runs the Voodoo Down.flac -
95.94 MB

          04 - Orange Lady.flac -
88.12 MB

          06 - Corrado.flac -
86.61 MB

    Bitches Brew Sessions - Disc 3
          03 - The Little Blue Frog (Alt).flac -
78.78 MB

    Bitches Brew Sessions - Disc 2
          02 - Sanctuary.flac -
70.66 MB

    Bitches Brew Sessions - Disc 4
          01 - Feio.flac -
69.75 MB

    Bitches Brew Sessions - Disc 2
          05 - Yaphet.flac -
62.79 MB

    Bitches Brew Sessions - Disc 3
          04 - The Little Blue Frog (Mst).flac -
55.83 MB

    Bitches Brew Sessions - Disc 4
          02 - Double Image.flac -
53.57 MB

    Bitches Brew Sessions - Disc 3
          01 - Trevere.flac -
39.74 MB

    Bitches Brew Sessions - Disc 4
          05 - Double Image.flac -
35.31 MB

    Bitches Brew Sessions - Disc 1
          04 - John McLaughlin.flac -
30.9 MB

    Bitches Brew Sessions - Disc 3
          02 - The Big Green Serpent.flac -
20.67 MB

    Bitches Brew Sessions - Disc 4
          04 - Take It or Leave It.flac -
11.36 MB

    Booklet
          Booklet p. 88.jpg -
3.18 MB

          Booklet p. 06.jpg -
3.17 MB

          Booklet p. 61.jpg -
3.15 MB

          Booklet p. 91.jpg -
3.08 MB

          Booklet p. 60.jpg -
2.98 MB

          Booklet p. 20.jpg -
2.95 MB

          Booklet p. 04.jpg -
2.94 MB

          Booklet p. 32.jpg -
2.89 MB

          Booklet p. 74.jpg -
2.87 MB

          Booklet p. 05.jpg -
2.86 MB

          Booklet back.jpg -
2.82 MB

          Booklet p. 55.jpg -
2.77 MB

          Booklet p. 53.jpg -
2.76 MB

          Booklet p. 80.jpg -
2.74 MB

          Booklet p. 08.jpg -
2.71 MB

          Booklet p. 11.jpg -
2.71 MB

          Booklet p. 59.jpg -
2.69 MB

          Booklet p. 38.jpg -
2.65 MB

    Cover and discs
          Inlay 2.jpg -
2.65 MB

    Booklet
          Booklet p. 12.jpg -
2.64 MB

          Booklet p. 67.jpg -
2.61 MB

          Booklet p. 43.jpg -
2.6 MB

    Cover and discs
          back.jpg -
2.59 MB

    Booklet
          Booklet p. 75.jpg -
2.58 MB

          Booklet p. 07.jpg -
2.56 MB

          Booklet p. 42.jpg -
2.55 MB

          Booklet p. 69.jpg -
2.54 MB

          Booklet p. 62.jpg -
2.54 MB

          Booklet p. 76.jpg -
2.54 MB



Description



Music : Jazz : Lossless
Miles Davis - The Complete Bitches Brew Sessions 4CD Box (2004) FLAC with 90+pg booklet



It's hard to overstate the importance of Bitches Brew. It is one of the seminal albums that shaped Western music culture in the second half of the 20th century, dividing it into a 'time before' and a 'time after'. It crossed musical boundaries and influenced musicians of all music traditions. It gave rise to a whole new genre of music: jazz-rock.

Soon after the recording of Bitches Brew, in August 1969, many now-legendary players on the album started their own bands, all exploring the jazz-rock idiom. Joe Zawinul, Wayne Shorter and Airto Moreira formed Weather Report; Herbie Hancock and Bennie Maupin set up the Mwandishi Band; John McLaughlin and Billy Cobham brewed the Mahavishnu Orchestra; Chick Corea and Lenny White started Return To Forever, and so on.

On top of all of this, Bitches Brew was a commercial success. It became both Miles Davis' and the jazz world's best-selling record and went gold within months of its release. Before Bitches Brew the Miles Davis band was playing jazz clubs for sometimes as few as 30 people. After Bitches Brew, he shared the stage with many of the rock greats of the time, and played large halls like Fillmore West and East, and rock festivals like the Isle Of Wight Festival in the summer of 1970.

Bitches Brew also pioneered the application of the studio as a musical instrument, featuring stacks of edits and studio effects that were an integral part of the music. Even though it sounded like an old-style studio registration of a bunch of guys playing some amazing stuff, large sections of it relied heavily on studio technology to create a fantasy that never was. Miles and his producer, the legendary Teo Macero, used the recording studio in radical new ways, especially in the title track and the opening track, "Pharaoh's Dance."

There were many special effects, like tape loops, tape delays, reverb chambers and echo effects. And, through intensive tape editing, Macero concocted many totally new musical structures that were later imitated by the band in live concerts. Macero, who has a classical education and was most likely inspired by the '30s and '40s musique concrete experiments, used tape editing as a form of arranging and composition. "Pharaoh's Dance" contains 19 edits - its famous stop-start opening is entirely constructed in the studio, using repeat loops of certain sections. Later on in the track there are several micro-edits: for example, a one-second-long fragment that first appears at 8:39 is repeated five times between 8:54 and 8:59. The title track contains 15 edits, again with several short tape loops of, in this case, five seconds (at 3:01, 3:07 and 3:12).

Therefore, Bitches Brew not only became a controversial classic of musical innovation, it also became renowned for its pioneering use of studio technology.

Columbia's continuing summation of the career of Miles Davis through lavish box-set reissues resumed in 1998 with The Complete Bitches Brew Sessions, a four-disc set including all the music from the original 1970 double-album Bitches Brew plus over two additional hours of music from the six-month period during which the album was recorded. (Some of those tracks were previously released on compilations like Big Fun and Circle in the Round, but almost one-third of the material lay unissued until this release.) The music is simply fabulous -- the simultaneous birth and peak of jazz-rock/fusion, with a host of major players (John McLaughlin, Chick Corea, Joe Zawinul, Wayne Shorter, Jack DeJohnette) and many innovations. There is a bit more evidence of tape hiss than in Columbia's last American remastering of the album, but the revelations of depth and timbre more than make up for it. Though the unreleased selections are distinctly inferior to those released on Bitches Brew, "Yaphet," "Corrado," and "Trevere" are intriguing jam sessions that reveal much about the creative process between Davis and producer Teo Macero during recording. Unlike Columbia's previous sets in the series (one treating Miles' period of collaboration with Gil Evans and one featuring the music of his second classic quintet), the Bitches Brew sessions lend themselves well to a box set of this type -- presenting the music in chronological order does no harm to original LP configurations as it did on previous sets, and the music here is another glowing testament to Miles' importance to the development of jazz in 1969, as in 1949.

The set was reissued on 11 May 2004 with new packaging.

Track listing:

Disc one:
"Pharaoh's Dance" (Joe Zawinul) – 20:06
"Bitches Brew" (Miles Davis) – 26:58
"Spanish Key" (Davis) – 17:34
"John McLaughlin" (Davis) – 4:22

Disc two:
"Miles Runs the Voodoo Down" (Davis) – 14:01
"Sanctuary" (Wayne Shorter) – 10:56
"Great Expectations" (Davis - Zawinul) – 13:45 available on Big Fun
"Orange Lady" (Zawinul) – 13:50 available on Big Fun
"Yaphet" (Davis) – 9:39 previously unreleased
"Corrado" (Davis) – 13:11 previously unreleased

Disc three:
"Trevere" (Davis) – 5:55 previously unreleased
"The Big Green Serpent" (Davis) – 3:35 previously unreleased
"The Little Blue Frog" (alternate take) (Davis) – 12:13 previously unreleased
"The Little Blue Frog" (Davis) – 9:09 previously unreleased
"Lonely Fire" (Davis) – 21:09 available on Big Fun
"Guinnevere" (David Crosby) – 21:07 available on Circle in the Round

Disc four:
"Feio" (Shorter) – 11:49 previously unreleased
"Double Image" (Zawinul) – 8:25 previously unreleased
"Recollections" (Zawinul) – 18:54 previously unreleased
"Take It or Leave It" (Zawinul) – 2:13 previously unreleased
"Medley: Gemini (Davis) / Double Image" (Zawinul) – 5:52 available on Live-Evil

Personnel:
Collective listing for all recording sessions.

Miles Davis - Trumpet, Vocals
Don Alias - Percussion, Conga, Drums
Khalil Balakrishna - Sitar
Harvey Brooks - Bass, Electric bass
Ron Carter - Bass
Billy Cobham - Drums, Triangle
Chick Corea - Electric piano
Jack DeJohnette - Drums
Steve Grossman - Soprano saxophone
Herbie Hancock - Electric piano
Dave Holland - Bass, Electric bass
Bennie Maupin - Bass clarinet
John McLaughlin - Guitar
Airto Moreira - Berimbau, Cuíca, Percussion
Bihari Sharma - Tabla, Tamboura
Wayne Shorter - Soprano saxophone
Juma Santos (Jim Riley) - Conga, Shaker
Lenny White - Drums
Larry Young - Organ, Celeste, Electric piano
Joe Zawinul - Electric piano
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