Rolling Stones -Beggers Banque UK Mono Decca LK 4955 1968


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Torrent Hash : 301C6ED79C8797972BAFD465089F911A0DE296DF
Torrent Added : 1 Year+ in Music - Music
Torrent Size : 430.79 MB


Rolling Stones -Beggers Banque UK Mono Decca LK 4955 1968
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Torrent File Content (14 files)


Rolling Stones -Beggers Banque UK Mono Decca LK 4955 1968
     01. Sympathy For The Devil.flac -
71.56 MB

     02. No Expectations.flac -
41.74 MB

     03. Dear Doctor.flac -
36.82 MB

     04. Parachute Woman.flac -
24.73 MB

     05. Jigsaw .flac -
65.55 MB

     06. Street Fighting Man.flac -
35.15 MB

     07. Prodical Son.flac -
30.65 MB

     08. Stratcat Blues.flac -
49.62 MB

     09. Factory Girl.flac -
23.05 MB

     10. Salt Of The Earth.flac -
51.68 MB

     Rolling Stones -Beggers Banque UK Mono Decca LK 4955 1968.ffp -
584 bytes

     The Rolling Stones - Beggers Banquet UK Mono Decca LK 4995 1968.txt -
7.77 KB

     Torrent downloaded from demonoid.pw - Copy.txt -
46 bytes

     rolling-stones-beggars-banquet-cover-a.jpeg -
253.93 KB



Description



Music : Rock : Lossless
Please note that if your looking for perfection, download or buy the CD, everything I upload is from vinyl with no compression and is recorded in DVD quality. I have very little mint vinyl so there will be small imperfections but I never upload anything that I would not keep in my collection

The Rolling Stones - Beggers Banquet UK Mono Decca LK 4995 1968
XARL-8476-4A XARL-8477--2A

All songs written by Mick Jagger and Keith Richards, except "Prodigal Son" by Robert Wilkins.

Side one
No. Title Length
1. "Sympathy for the Devil" 6:18
2. "No Expectations" 3:56
3. "Dear Doctor" 3:28
4. "Parachute Woman" 2:20
5. "Jigsaw Puzzle" 6:06
Side two
No. Title Length
6. "Street Fighting Man" 3:16
7. "Prodigal Son" 2:51
8. "Stray Cat Blues" 4:38
9. "Factory Girl" 2:09
10. "Salt of the Earth" 4:48

The Rolling Stones
Mick Jagger ? lead and backing vocals; harmonica on "Parachute Woman" (outro)
Keith Richards ? acoustic, electric and slide guitars; bass guitar on "Sympathy for the Devil" and "Street Fighting Man"; backing vocals, lead vocals on opening of "Salt of the Earth"
Brian Jones ? slide guitar on "No Expectations"; harmonica on "Parachute Woman", "Dear Doctor" and "Prodigal Son"; Mellotron on "Jigsaw Puzzle" and "Stray Cat Blues"; sitar and tamboura on "Street Fighting Man"; backing vocals on "Sympathy for the Devil"
Bill Wyman ? bass guitar; backing vocals and maracas on "Sympathy for the Devil"
Charlie Watts ? drums; backing vocals and cowbell on "Sympathy for the Devil"; clave on "No Expectations"; tabla on "Factory Girl"

Additional personnel
Nicky Hopkins ? piano, tack piano, organ
Rocky Dijon ? congas on "Sympathy for the Devil", "Stray Cat Blues" and "Factory Girl"
Ric Grech ? fiddle on "Factory Girl"
Dave Mason ? shehnai on "Street Fighting Man"; Mellotron (mandolin setting) on "Factory Girl"
Jimmy Miller ? backing vocals on "Sympathy for the Devil"
Watts Street Gospel Choir ? backing vocals on "Salt of the Earth"

From Wikipedia
Beggars Banquet is the seventh British and ninth American studio album by English rock band The Rolling Stones. It was released in December 1968 by Decca Records in the
United Kingdom and London Records in the United States. The album was a return to roots rock for the band following the psychedelic pop of their 1967 album Their Satanic
Majesties Request.
Glyn Johns, the album's recording engineer and longtime collaborator of the band, said that Beggars Banquet signalled "the Rolling Stones' coming of age ... I think that the
material was far better than anything they'd ever done before. The whole mood of the record was far stronger to me musically." Producer Jimmy Miller described guitarist Keith
Richards as "a real workhorse" while recording the album, mostly due to the infrequent presence of Brian Jones. When he did show up at the sessions, Jones behaved erratically
due to his drug use and emotional problems.[3] Miller said that Jones would "show up occasionally when he was in the mood to play, and he could never really be relied on:
When he would show up at a session?let's say he had just bought a sitar that day, he'd feel like playing it, so he'd look in his calendar to see if the Stones were in. Now he
may have missed the previous four sessions. We'd be doing let's say, a blues thing. He'd walk in with a sitar, which was totally irrelevant to what we were doing, and want to
play it. I used to try to accommodate him. I would isolate him, put him in a booth and not record him onto any track that we really needed. And the others, particularly Mick
and Keith, would often say to me, 'Just tell him to piss off and get the hell out of here'.
Jones played sitar and tanpura on "Street Fighting Man", slide guitar on "No Expectations", harmonica on "Parachute Woman", "Dear Doctor" and "Prodigal Son", and Mellotron on
"Jig-Saw Puzzle" and "Stray Cat Blues". Jones is sometimes mistakenly credited for playing the slide guitar on "Jig-Saw Puzzle"; both guitars are played by Keith Richards
The basic track of "Street Fighting Man" was recorded on an early Philips cassette deck at London's Olympic Sound Studios, where he played a Gibson Hummingbird acoustic
guitar, and Charlie Watts played on an antique, portable practice drum kit. Richards and Mick Jagger were mistakenly credited as writers on "Prodigal Son", a cover of Robert
Wilkins's Biblical blues song of the same name. According to Keith Richards the name Beggars Banquet "comes from a cat called Christopher Gibbs".
Critics considered the LP a return to form. It was also a commercial success, reaching No. 3 in the UK and No. 5 in the US (on the way to eventual platinum status).
In a retrospective review for eMusic, music critic Ben Fong-Torres called Beggars Banquet "an album flush with masterful and growling instant classics", and said that it
"responds more to the chaos of '68 and to themselves than to any fellow artists ... the mood is one of dissolution and resignation, in the guise of a voice of an ambivalent
authority." Colin Larkin, writing in the Encyclopedia of Popular Music (2006), viewed it as "a return to strength" which included "the socio-political 'Street Fighting Man'
and the brilliantly macabre 'Sympathy for the Devil', in which Jagger's seductive vocal was backed by hypnotic Afro-rhythms and dervish yelps." Larry Katz from the Boston
Herald called Beggars Banquet "both a return to basics and leap forward." In Rolling Stone magazine, DeCurtis said the album was "filled with distinctive and original
touches", and remarked on its legacy:


If you want to burn the tracks to CD the tracks will need to be converted to 44.1Khz, 16bit and stereo (two mono tracks) and checked for sector boundery errors (SBE's) this can be done with the aid of Traders Little Helper from http://tlh.easytree.org its free has no nasty hidden in it It will also make and save check sums and a lot of others things as well
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