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Rossini - La Gazzetta (320kbps mp3)

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Music : Classical : MP3/Over 256Kbps
Rossini -
La Gazzetta (320kbps .mp3)

Penny Gore presents this week's Opera Matinee: Rossini's 'La
Gazzetta', which satirizes the influence of newspapers on people's lives, recorded at the Rossini Opera
Festival in Pesaro in August 2015. The pompous Don Pomponio Storione travels the world in search of a husband for his
daughter, putting ads in the newspapers, but learns that this might not be the route to his daughter's happiness.
Rossini's second opera written for Naples was the only comedy he wrote there, but there are conflicting reports on
whether or not it was well received.

Madama la Rose ..... José Maria Lo Monaco (mezzo-soprano)
Doralice ..... Raffaella Lupinacci (soprano)
Lisetta ..... Hasmik Torosyan (soprano)
Don Pomponio Storione
..... Nicola Alaimo (bass)
Monsù Traversen ..... Andrea Vincenzo Bonsignore (bass)
Alberto ..... Maxim
Mironov (tenor)
Filippo ..... Vito Priante (baritone)
Anselmo ..... Dario Shikhmiri (bass)
Andrea
Faidutti (chorus director)
Chorus and Orchestra of the Teatro Comunale, Bologna
Enrique Mazzola (conductor)

Recorded 11/08/2015
Pesaro - Rossini Theatre

Synopsis
Act One

In a Parisian
garden, through shady walks, by fountains, statues and booths selling drinks, Madama La Rose, Traversen, Alberto and
various gentlemen are promenading. Alberto is cross because he has been searching in vain for a woman who can satisfy
all his desires, and his complaints are interrupted by the arrival of a newsboy carrying “La gazzetta” with
all the latest news. Anxious to know whatever spicy things have been going on, the characters grab the gazzette one from
another, reading eagerly. Don Pomponio, who has now joined the others, showing off his wealth and ambition, has
published in this very number of the gazzette an advertisement offering his daughter Lisetta in marriage. This
advertisement sends everyone present into fits of laughter, and they call the advertiser a madman and an animal, not
knowing that they are talking about the man who has just come in, dressed in an exaggeratedly rich and showy costume.
This gaffe is then transformed into yet another opportunity to continue to make fun of Don Pomponio, who does not have
much success in his efforts to defend himself from their mockery.

At Filippo’s inn Anselmo arrives
with his daughter Doralice, followed by the exuberant and flighty Lisetta, who is worried that her secret engagement to
the innkeeper will be compromised by her father’s untimely advertisement in the gazzette. Alberto’s
arrival sets off a whole chain of misunderstandings: he thinks that Lisetta must be the young lady mentioned in the
advertisement but has to change his mind because Filippo claims to be her husband. So Alberto begins to pay court to
Doralice, believing now that she must be the young lady of the gazzette: the muddle increases in the dialogue between
Don Pomponio and Alberto, who, in order to increase his own importance, claims to be a descendant of Philip of
Macedonia. Don Pomponio is delighted to give his daughter in marriage to a man of such noble origins but first he must
oppose the complaints of Lisetta, who does not want to end up in the bed of an unknown man, though then she gets excited
when she learns the name of her future husband: Filippo. When she sees Alberto, whom Don Pomponio had called
“Philip” in order to impress his daughter, Lisetta is confused and gradually involves all around her in her
contagious dismay, until everyone gets over-excited. At the end of the Quintet, Madama La Rose and Doralice come on, and
decide to play a trick on Don Pomponio; he, in order to get even with his daughter, has decided to cut her out of her
inheritance by marrying again and getting another child. Doralice, with the assistance of Madama La Rose, pretends to
yield to the overtures of Don Pomponio, who has picked her out as a possible future wife and is won over by her polite
manners.

Filippo tries to confuse the suspicious Don Pomponio by pretending to be the husband of Madama La
Rose, and arouses his hopes by announcing the impending arrival of a rich Quaker who is interested in the advertisement
in the gazzette. This Quaker will, in fact, be none other than Filippo himself, in disguise; Lisetta knows about this
impersonation, but when she hears about her fiancé’s supposed marriage to Madama La Rose she thinks that he
has been unfaithful to her and becomes furiously angry. She will not listen to any marriage proposals from a Quaker, and
her scornful attitude makes Don Pomponio lose all patience with her. Filippo comes in, dressed up as a Quaker, and
begins to admire Lisetta’s charms; she, however, continues to treat him with scorn. Everything is plunged into
total confusion: Filippo is worried about the success of his plan, Alberto can no longer understand which girl is Don
Pomponio’s daughter, Lisetta realises that she has gone too far in rejecting Filippo! The tension is wound up to
breaking point; Filippo and Don Pomponio threaten each other whilst the others try to calm them down.

 

Act Two

Traversen, who until now has remained rather in the background, comes forward and asks
Anselmo for the hand of his daughter Doralice in marriage. Doralice is in love with Alberto, and when she shows
unwilling Madama La Rose intervenes, openly encouraging the young girl to take full advantage of this sure opportunity.
Alberto, seeing Doralice walking arm-in-arm with Traversen, believes that she has betrayed him and goes to look for
Filippo to ask his advice. Meanwhile the innkeeper meets his beloved and, after a few initial skirmishings, peace is
restored between them: Filippo and Lisetta look forward to love and happiness together.

Alberto remains alone
with his sorrow and he expresses himself in song, in which the torments of jealousy alternate with hope, a «tender
voice» seeming to offer glimpses of a happier destiny. And it is Filippo who comforts him, removing all his suffering
by reassuring him that Doralice loves him, and proposing a new scheme to gain time and fool the two fathers, Anselmo and
Don Pomponio. The latter finds himself mixed up in a phony “duel” which changes him from a bombastic hero
into a coward who begs an armistice and wriggles away as soon as he can. This frightening episode makes him hurry on his
preparations for departure, whilst Lisetta tries to gain time first by fainting and then by pretending to go mad. With
the excuse that some Turks are about to arrive, Filippo organizes a masked ball, persuading Don Pomponio that this will
give his daughter the opportunity to meet some interesting suitor. The father is terrified at the idea of marrying
Lisetta to a Turk, and Filippo gives him hope that his own name may end up among the mighty ones of the world. Don
Pomponio turns up at the party in a Turkish costume but finds the four lovers dressed identically and cannot tell
Lisetta from Doralice or Alberto from Filippo; however, he begins to get angry and creates a general upheaval in which
the four lovers manage to get away. Madama La Rose tells the perplexed fathers and Traversen that by now the boys and
girls have formed permanent couples: all they can do is bless the young lovers, who come back to ask their fathers for
understanding and forgiveness.

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