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Simon H Fell Quintet & Quartet - 2004 - Four Compositions (FLAC, 2CD, Red Toucan 26)

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Music : Jazz : Lossless
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Red Toucan Records RT 9326-2.

CD1: SFQ1 - Three Quintets
1	Composition No. 50: Koln
Klang	9:43
2	Composition No. 40.5d: Trapped By Formalism 2	12:29
3	Composition No. 62b: Gruppen Modulor
2	24:12
CD2: SFQ2 - Liverpool Quartet
1	Liverpool 1a	7:51
2	Liverpool 1b	4:58
3	GM2 Blues	7:21
4	Quartet	7:34
5	Liverpool 2	6:32
6	GM3 Rhythm	4:55
7	Kandinsky Lines	4:53

Alex Ward:
clarinet
Simon H. Fell: double bass, composer
Steve Noble: drums (CD1)
Mark Sanders:
drums, electronics (CD2)
Guy Llewellyn: french horn (CD2)
Alex Maguire: piano (CD1)
Gail
Brand: trombone (CD1)

Conceived as two separate albums, but released by the Montreal imprint Red Toucan
as a two-CD set (which is all the better), Four Compositions presents two different SFQ lineups tackling Simon H.
Fell's uniquely complex and intricate writing in studio and live settings. Disc one is titled "SFQ1 -- Three
Quintets" and would have been the follow-up to SFQ's debut album Thirteen Rectangles. Recorded by the
brilliant engineer Steve Lowe at Gateway Studio, this set features three pieces, interpreted by a quintet version of
Fell's group, including Alex Ward on clarinet, trombonist Gail Brand, Alex Maguire at the piano, and drummer Steve
Noble. "Composition No. 50: Köln Klang" and "Composition No. 40.5d: Trapped by Formalism 2" are
both difficult pieces requiring several attentive listens. The first one is a structured improvisation articulating
sparse elements into a cold, detached organism. The second piece applies formalist techniques to this improviser's
ensemble, with dizzying results. But the highlight of this first disc is "Composition No. 62b: Gruppen Modulor
2," a complex multi-part work presented by Fell as being drawn from his preparatory studies for "Compilation
IV." If you have been acquainted with the level of complexity of his Compilation series, you know how dense this
piece can be. But where on the previous pieces the group sounded just a little bit too focused, here the musicians feel
more at ease and are clearly having fun with Fell's score. Disc two is given entirely to "Composition No. 70:
Liverpool Quartet," a work in seven sections. The quartet consists of Ward, Guy Llewellyn on French horn and
drummer Mark Sanders (also using some electronics), in addition to Fell. The blues theme from "Gruppen Modulor
2" comes back in a variation, justifying the joint release of the two sets. Recorded live, with a slightly spacier
sound, this performance alternates between arid dead-serious sections ("Liverpool 1a," "Kandinsky
Lines") and more vivid episodes ("GM2 Blues," "GM3 Rhythm"), including a freely improvised
"Quartet." Simon H. Fell's music, especially his compositions, always require several listens before
revealing all of their intricacies and features. Some listeners see it as preciousness; others as depth and
intelligence. Four Compositions, in that regard, is no different from the previous SFQ release or the Compilation
series: if you make the effort to track it down, you might as well make the effort to unlock its mysteries. - Francois
Couture, AMG   Show Demonoid some love with  BitCoin: 1DNoid2VRyfYn9T38Z1SZ5XncG7WMgCeUL How to get BitCoin?   

           

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