Simon H Fell Quintet & Quartet - 2004 - Four Compositions (FLAC, 2CD, Red Toucan 26)


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Music : Jazz : Lossless
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Red Toucan Records RT 9326-2.

CD1: SFQ1 - Three Quintets
1 Composition No. 50: Koln Klang 9:43
2 Composition No. 40.5d: Trapped By Formalism 2 12:29
3 Composition No. 62b: Gruppen Modulor 2 24:12
CD2: SFQ2 - Liverpool Quartet
1 Liverpool 1a 7:51
2 Liverpool 1b 4:58
3 GM2 Blues 7:21
4 Quartet 7:34
5 Liverpool 2 6:32
6 GM3 Rhythm 4:55
7 Kandinsky Lines 4:53

Alex Ward: clarinet
Simon H. Fell: double bass, composer
Steve Noble: drums (CD1)
Mark Sanders: drums, electronics (CD2)
Guy Llewellyn: french horn (CD2)
Alex Maguire: piano (CD1)
Gail Brand: trombone (CD1)

Conceived as two separate albums, but released by the Montreal imprint Red Toucan as a two-CD set (which is all the better), Four Compositions presents two different SFQ lineups tackling Simon H. Fell's uniquely complex and intricate writing in studio and live settings. Disc one is titled "SFQ1 -- Three Quintets" and would have been the follow-up to SFQ's debut album Thirteen Rectangles. Recorded by the brilliant engineer Steve Lowe at Gateway Studio, this set features three pieces, interpreted by a quintet version of Fell's group, including Alex Ward on clarinet, trombonist Gail Brand, Alex Maguire at the piano, and drummer Steve Noble. "Composition No. 50: Köln Klang" and "Composition No. 40.5d: Trapped by Formalism 2" are both difficult pieces requiring several attentive listens. The first one is a structured improvisation articulating sparse elements into a cold, detached organism. The second piece applies formalist techniques to this improviser's ensemble, with dizzying results. But the highlight of this first disc is "Composition No. 62b: Gruppen Modulor 2," a complex multi-part work presented by Fell as being drawn from his preparatory studies for "Compilation IV." If you have been acquainted with the level of complexity of his Compilation series, you know how dense this piece can be. But where on the previous pieces the group sounded just a little bit too focused, here the musicians feel more at ease and are clearly having fun with Fell's score. Disc two is given entirely to "Composition No. 70: Liverpool Quartet," a work in seven sections. The quartet consists of Ward, Guy Llewellyn on French horn and drummer Mark Sanders (also using some electronics), in addition to Fell. The blues theme from "Gruppen Modulor 2" comes back in a variation, justifying the joint release of the two sets. Recorded live, with a slightly spacier sound, this performance alternates between arid dead-serious sections ("Liverpool 1a," "Kandinsky Lines") and more vivid episodes ("GM2 Blues," "GM3 Rhythm"), including a freely improvised "Quartet." Simon H. Fell's music, especially his compositions, always require several listens before revealing all of their intricacies and features. Some listeners see it as preciousness; others as depth and intelligence. Four Compositions, in that regard, is no different from the previous SFQ release or the Compilation series: if you make the effort to track it down, you might as well make the effort to unlock its mysteries. - Francois Couture, AMG
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